- Theatre review: The Sea / Theatre Royal Haymarket, London
- Maddy Costa on Oscar Wilde's Lady Bracknell
- Michael Simkins on actors and projection
- Sir Peter Hall's Rose Theatre opens its doors
- Cinema converted to stage a live Brief Encounter
- Francesca Martin on Jane Eyre the ballet
- Theatre review: The President's Holiday / Hampstead, London
- Dance review: Maresa von Stockert, Laban, London
- Comedy review: Hans Teeuwen, Soho Theatre, London
- Lyn Gardner talks to director John Doyle
- Theatre review: Salonika / West Yorkshire Playhouse, Leeds
- Theatre review: Happy Now? / Cottesloe, London
- David Ward talks to Willy Russell
- Arnold Wesker on the return of Roots
- David Ward talks to Willy Russell
- Theatre review: The Sea, The Vertical Hour and Happy Now?
- Luke Jennings on this week's dance
- Theatre review: Translations / Citizens, Glasgow
- Theatre review: Merrily We Roll Along / Watermill, Bagnor
- The week in theatre: The Sea, The Vertical Hour and Happy Now?
- Theatre review: An Audience With the Mafia / Apollo, London
- Theatre review: Uncle Vanya / Rose, Kingston
- Last-minute reprieve for arts groups
- Maddy Costa talks to theatre director Michael Grandage
- Fans 'should help to run arts and sport'
- Last-minute reprieve for arts groups
- Dance review: Sampled / Sadler's Wells, London
- Disney cashes in on new musical
- Theatre review: Clarinda / Scottish Storytelling Centre, Edinburgh
- Maddy Costa talks to theatre director Michael Grandage
- Winners of the Critics' Circle Awards announced
- Theatre review: Mad Funny Just / Theatre 503, London
- Theatre review: Translations / Bernie Grant Arts Centre, London
- Theatre review: On a Shout / Truck, Hull
- Comedy review: Henry Rollins / Hammersmith Apollo, London
- Tracy-Ann Oberman: Why I relocated Chekhov's Three Sisters to Liverpool's Jewish comm
- Interview: Harriet Lane speaks to Gina McKee
- School's back: Disney cashes in on new musical
- Theatre review: The Lover/The Collection / Comedy Theatre, London
- David Thomson on Speed-the-Plow and other plays about Hollywood
- Kent and his collaborators bring Dumas romance to the stage
- Dance review: Henri Oguike Dance Company / Cambridge Arts Theatre
- Theatre review: The Lover/The Collection / Comedy Theatre, London
- Ukrainian tractors to hit West End
- Theatre review: Here Be Monsters / Greenwich Theatre, London
- Theatre review: Three Sisters on Hope Street / Liverpool Everyman
- Dance review: La La La Human Steps / Sadler's Wells, London
- Theatre review: The Importance of Being Earnest / Vaudeville Theatre, London
- Interview: Richard Herring shares the secrets of comedy technique
- Joy for some, misery for many as Arts Council rethinks cuts
- Profile: Jonathan Kent
- Interview with Jeff Goldblum
- Susannah Clapp reviews the week's best theatre
- Kate Kellaway reviews The Lover/The Collection
- Theatre review: Of Mice and Men / Perth Theatre
- Kate Kellaway reviews The Lover/The Collection
- Susannah Clapp reviews the week's best theatre
- Theatre review: The Mikado / Gielgud, London
- Dance review: Royal Ballet triple bill / Royal Opera House, London
- Theatre review: Weapons of Happiness / Finborough, London
- Theatre review: The Mikado / Coliseum, London
- Theatre review: The Crucible / Octagon, Bolton
- Interview with Jeff Goldblum
- Theatre review: A Midsummer Night's Dream / 295 Regent Street, London
- Theatre review: Miss Julie / Project, Dublin
- Theatre review: Roots / Royal Exchange, Manchester
- Theatre review: Angel House / New Wolsey, Ipswich
- Comedy review: Omid Djalili / Milton Keynes Theatre
- Maddy Costa reports on the National Theatre's new experimental show
- Judith Mackrell on the great choreographer Pina Bausch
- Record haul for Hairspray as Olivier nominations announced
- Stars win grants reprieve for high-profile theatres
- Veronica Lee on the stage version of the US High School Musical
- Theatre review: Parts for Machines That Do Things / Crucible, Sheffield
- Dance review: Fabulous Beast / Barbican, London
- Judith Mackrell on the great choreographer Pina Bausch
- Theatre review: A Prayer for My Daughter / Young Vic, London
- Theatre review: The Homecoming / Almeida Theatre, London
- Ranjit Bolt on his new version of Molière's The Misanthrope is set in the London of today
- Theatre review: The Homecoming / Almeida Theatre, London
- Theatre review: A Prayer for My Daughter / Young Vic, London
- Theatre review: Angel House / New Wolsey, Ipswich
- Theatre 2: The Homecoming, Almeida, London N1; A Prayer for my Daughter, Young Vic, London SE1
- Miranda Sawyer meets the award-winning playwright Roy Williams
- Theatre review: War and Peace / Playhouse, Nottingham
- Dance review: The Show Must Go On / Sadler's Wells, London
- Miranda Sawyer meets the award-winning playwright Roy Williams
- Theatre review: Next Door's Baby / Orange Tree, Richmond
- Theatre 2: The Homecoming, Almeida, London N1; A Prayer for my Daughter, Young Vic, London SE1
- The week in theatre: Kate Kellaway reviews Pinter at the Almeida and the Young Vic's cop show
- 'Unfortunately I'm not very thick-skinned'
- The Blind, Arcola, London
- Theatre review: The Blind / Arcola, London
- Teachers critical of 'unrealistic' culture target
- 'Unfortunately I'm not very thick-skinned'
- Mark Ravenhill on the Free Theatre of Belarus
- Theatre review: Speed-The-Plow / Old Vic, London
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- Hype Monitor: Radio Dept., Mr. Gnome and Brendan Canning
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- Hype Monitor: Ratatat, This Is Ivy League and Spiritualized
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- The 100 Greatest Guitar Songs of All Time
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- Metallica: Still Heavy After All These Years
- The Battle For Facebook
- Hype Monitor: Cool Kids, White Williams, Young Knives
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- Exclusive: Hear The Verve's New "Columbo"
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